Fishing with Capt. Steve Hillman

April 30th, 2020

hillman speck Fishing with Capt. Steve Hillman

Steve Hillman with a mid October beauty, released after a quick photo.

Hillman Guide Service’s big trout buff on his early years and fishing favorites

Interview by Brandon Rowan

Where did you grow up?

I was born in Galveston and grew up on Dickinson Bayou where my parents started a small seafood business in the mid-seventies.  When not fishing off of our little pier I would fish out in the bay with my dad, uncles and grandpa.  This was back when we didn’t have to venture far to catch trout, redfish and flounder.  Reefs in Dickinson Bay, Moses Lake and Todd’s Dump gave us all the action we could ask for.

It really wasn’t until my mid-teenage years that I learned how to read the water well.  I fell in love with wading and learned what slicks meant.  This is when fishing hit a whole new level for me.  I caught my first topwater trout on a chrome/ blue jumping minnow on Dickinson Reef when I was around 16 years old.  I still remember how rafts of mullet would mark the J-shaped reef.  No GPS was needed.

In 1996 I graduated from the University of Houston – Clear Lake with a Bachelor of Science in Environmental Management, then took a job in the chemical industry.  Within a couple of years I came back to my roots in the family seafood business to take over the marketing aspects of the business.  We would fly clients in from all over the country and I would take them fishing and golfing.

It was during this time when I realized just how much satisfaction I got from watching others enjoy catching fish.  In 2004 I obtained my captain’s license and started running trips.  Some folks told me to be careful taking something that I enjoy and turning it into a job.  I suppose this is true for some.  For me, it was the right choice.  I never intended on becoming a full-time fishing guide but the circumstances pretty much played out that way.  Now, I have some of the best regular clients that any guide could ever ask for.  Funny how things seem to work out the way you least expect.

When I started guiding I ran tarpon, bull red, shark, black drum, flounder and trout trips.  While I enjoyed all of that I realized that my true passion was fishing for trout and reds.  I’m a firm believer in sticking to what you know.  And, by doing the same thing day-in and day-out you can stay on the patterns and become better.

Do you have a favorite fishing moment?

My favorite experience is when a young man from Idaho called to book a two day fly fishing trip with me in March of 2006 for him and his father.  The first day was spent wading coves in West Bay amidst typical March stiff winds.  The bite was tough on flies, but the trout and reds were cooperative (for me) on conventional tackle.  Kurt and his dad kept their distance from me despite me constantly waving them in my direction.  They caught a few undersized trout on seaducers, clouser minnows and spoon flies.  They seemed to be happy despite not catching a bunch of fish.  The wind gave us a break on the second day and the fishing was much better.  Once again, however, they wouldn’t wade over when I was on fish.  They caught some, but I was a bit perplexed and maybe even a little disappointed that they pretty much hung out away from me in their own little world.  I pulled up to the dock at Teakwood Marina and Kurt’s father headed for the truck as he was a little tired.  Kurt handed me my check and said the following; “Captain Steve, I know that me and my dad could’ve caught more fish had we spent more time by your side or used conventional gear, but I need to tell you something.  My dad has terminal cancer and the doctors only gave him a few months to live.  He started taking me fly fishing when I was a little boy and those memories are the ones I cherish the most.  We got to relive some of those memories the past two days and I want to thank you for that.  This may be the last time I get to fish with my dad.”

As Kurt walked towards his truck tears flowed from my eyes.  I drove home thinking about how blessed I was.  That two day fishing trip with Kurt and his father will forever be etched in my memory as well as my heart.

mirrolure27 Fishing with Capt. Steve Hillman

MirrOlure MirrOdine XL

What is your favorite soft plastic and hard bait for trout if you had to choose only one of each?

My favorite soft plastic would have to be a Limetreuse Saltwater Assassin and MirrOlure’s MirrOdine XL would be my choice for a hard bait.

What is the biggest mistake you see other fishermen make?

I would have to say that the biggest mistake I see on a regular basis is other fishermen motoring over fish.  Just the other day we witnessed a boat motor through several good trout slicks then line up behind us to make a drift.  He was more concerned with what was happening on my boat then what was happening in the water around him.  This has become a daily occurrence.  I would love to see more awareness and better etiquette.

Fat redfish like this one can be found schooling in open water, September through November.

What should anglers key in on during September and October in Galveston Bay?

The early days of September are usually similar to our late summer patterns which involve drifting slicks in 7 to 11 feet of water over shell and throwing mainly soft plastics.  Depending upon the timing of cool fronts, late September and early October can become more of a transitional pattern where trout are found deep as well as shallow.  Slicks and active bait are always good telltale signs but gulls hovering over migrating white shrimp can also lead you to the fish.  Wading near marsh drains is always a good plan especially during late October.  Trout can be somewhat spread out until a true fall pattern arrives which usually occurs in November.

Do you have a favorite tide stage to fish?

My favorite tide to fish depends on where we’re fishing but our trout seem to feed better during a tide change.  If we’re wading the mouth of a marsh drain then I like a high tide going to a low.  If we’re drifting open bay reefs then any tidal movement is best, regardless of direction.

What is the biggest change you’ve seen in Galveston Bay over the years?

I could write an entire article on this subject but I suppose the most noticeable change is the bottom landscape of the bay.  Many islands are now reefs and many reefs are now gone.  Through the years the bottom structure has changed from environmental changes and man-induced changes.  We have lost more than half of our live oyster reefs and all of our rangia clam beds mainly due to Hurricane Ike and other environmental changes.

I’ve also seen the number of boats increase dramatically over the years.

Do you have a recently discovered lure or new technique you’d like to share with our readers?

I’m pretty much a creature of habit who tends to keep things simple.  That being said, I seem to be throwing more waking baits such as Strike Pro’s Hunchback this year.  It’s a subsurface hard bait that wobbles from side to side.  It has a loud rattle that tends to draw strikes when sometimes other baits won’t.  Other than that, I usually stick to the basic soft plastic and topwater program.  It really depends on what I see while we’re fishing.

Favorite place you’ve ever fished?

Hands down, my favorite place I’ve ever fished is Baffin Bay.  I love catching legitimately big trout and Baffin has produced more big trout for me than all the other bays I’ve fished combined.  Galveston Bay has produced some big trout for us through the years but not as consistently as Baffin.

Steve’s 8.25lb trout fell for a MirrOdine XL.

Is there anything you’d like to see changed in the current regulations?

The jury is still out on this question for me.  I carefully observe the changes I see on a yearly and daily basis while running my charters.  I also study the data from the Texas Parks and Wildlife, as well as others such as the Harte Research Institute.

My current opinion is that we’re struggling with habitat in this bay and fishing pressure has greatly increased.  Man-made and environmental changes have had a negative impact on our estuary.  I don’t think anyone can deny that.

The question is what changes should be made?  Is a limit reduction to 5 trout the answer?  I personally think it’s a good start.  Sustainability of our spotted seatrout as well as our habitat should be on the front burner.

Aside from fishing, what else are you passionate about?

I thoroughly enjoy fishing but my biggest passion is spending time with my family.  My wife and I only have one daughter, and she turns 16 in January.  Time seems to pass faster than ever and I don’t want to miss anything that has to do with them.  We’re a goofy little family and we can rarely have a serious conversation, but I wouldn’t want it any other way.

You can contact Hillman Guide Service by calling 409-256-7937 or by emailing captsteve@hillmanguideservice.com

 

Meet Wildlife Artist Leslie McDonald, Jr.

September 1st, 2019

MG 3948 625x400 Meet Wildlife Artist Leslie McDonald, Jr.

Born in Victoria, Texas Leslie McDoanld, Jr. has been painting wildlife art for over 33 years.

Surf Wreck 625x400 Meet Wildlife Artist Leslie McDonald, Jr.

Surf Wreck

Interview by Kelly Groce

Where are you from and when did you start painting?
I was born in Victoria, Texas on December 22, 1943, a war baby. The Texas Gulf Coast was my domain. The warm waters of Matagorda Bay became my playground. My mother says, “Les was born in the water with a shotgun in one hand and a rod and reel in the other”. In 1954, when my grandmother died, the family moved from Victoria to Port O’Connor. I was 11 years old.

I started painting when I was in the sixth grade. As most artists starting out, I painted in oils and pencil sketches. One evening after a day of hunting, having finished dinner, I decided to sketch one of the ducks I had seen that day, a Pintail launching itself off the water into flight. I guess I was being too quiet and my mother came in and saw what I was doing. She looked at the scene I was sketching in colored pencil and said, “I didn’t know you could do that”. I said I didn’t either. She went back to the kitchen and I went back to my sketching.

In junior high school, I started entering local art competitions in the mall and the county fair. I immediately started winning awards and placing in competitions. I did take a few painting classes when I was in the 8th grade. The lady lived 19 miles away in Seadrift, so it was a chore getting to her class. There were no art classes in my high school in Port Lavaca, Texas. My senior year I was the editor of our high school yearbook. So, art was in my blood from the start. Then it was off to college where I majored in Commercial Art. I graduated near the top of major. I then went to Houston and got a job right off the bat as a production artist in one of the top advertising agencies. I was in advertising for almost 20 years.

I continued to paint, but mainly in oils. My studio was in a bedroom at our home. Without good ventilation, the oils, turpentine, linseed oil, etc. was driving me nuts. I made the decision to try another medium, watercolor. I immediately fell in love with it. It was so light and fresh, and you could do so many things with it. I never went back to oil paints. I find that you can do more with watercolor than all other mediums combined. You can paint drool, scratch, dab, mop, salt, plus a wide variety of other techniques. I mainly paint in high detail.

Tidal Flat Roseates

Watercolor is now my passion. I concentrate more on the outdoors, wildlife, birds, landscapes, seascapes, and sporting art. I do paint lots of birds, mainly from the coast. I like capturing their color, their action, their moods, and their subtle mannerisms.

I find myself working on several pieces at a time. Sometimes it’s out of necessity of having to let a piece dry, so I go work on something else for a while. I did try teaching classes for a while, but I found it to constraining on my time. I have done a couple of workshops, but that way I’m done in a week.

Many honors and awards have come my way down through the years. I was the Sponsor Print Artist for Texas Ducks Unlimited in 1992-’93, and Artist of the Year in 1993-94. Also, Artist of the Year for Waterfowl U.S.A. in 1990, 1991 and 1996, and the Sponsor Print Artist in 1998, 1999, 2003, 2004 and 2005. In 2002, Les was selected by Quail Unlimited as the stamp print artist for 2002, and The Dove Sportsman’s Society stamp print artist for 2003. I am in several art galleries and have exhibited with many of the nation’s top artists in national wildlife art shows across the country. Some of these shows include: The Waterfowl Festival in Easton, Maryland, The National Wildlife Art Show in Kansas City, Kansas, The Southeastern Wildlife Expo in Charleston, South Carolina, Nature Works in Tulsa, Oklahoma, and the Florida Wildlife Expo in Orlando, Florida.

My painting “Alaska Crab Traps” has received honors everywhere I have entered it. It was a 5-month obsession where it was the only thing I worked on. I shot the original photo 20 years ago in Cordova Harbor in Alaska. I would run across that photo and say to myself, “One of these days I’m going to paint that thing”, so I did, and it was worth every minute. Getting into the American Watercolor Society International Show is a great honor. Hopefully there will be more to come.

Break Out

How did you get into painting wildlife and nature?
I guess growing up in Port O’Connor. I was surrounded with wildlife. Ducks, fishing and hunting, it was all my passion.

What is your favorite fish to catch?
Speckled trout is my favorite of all. There was an old man, Mr. Bradshaw, that had an old rowboat tied to a stake in the bay. He would fish almost every day and take his fish to Clark’s Seafood and sell them for $.10 a pound. We started fishing together. He taught me a lot. Many times I would give him my fish to sell. He taught me how to tie knots and rig spoons. A silver spoon with a yellow bucktail and a trailer about 10” long with a treble hook and a white bucktail. We caught at lot of trout.

Where do you mostly fish and with who?
I fish a lot with Hollis Forrester out of Sargent in East Matagorda Bay. Also with Steve Hillman out of Topwater Grill in San Leon in the Galveston Bay system.

Where can our readers purchase and enjoy your artwork?
My work is currently available on my website www.lesmcdonald.com. My artwork is displayed in some galleries such as Port Aransas Art Center, Lattitude’s Gallery in Rockport and the Gallery at Round Top. Also, they may come by my studio in Houston. They just need to call first and set a time. I’m in and out.

Taking Flight

How long have you been partnering with Laguna Madre Clothing Co.?
Just in the last month. Taylor is very excited I’m with his program. My pelican piece “Taking Flight” is featured on one of his performance fishing shirts.

Do you work with any organizations or foundations that you would like to tell our readers about?
I am a big supporter of many charities and conservation organizations, such as Ducks Unlimited, Coastal Conservation Association, Quail Unlimited, Waterfowl U.S.A, and many others. I was the Texas Ducks Unlimited Artist of the Year in 1993-94, and my print “Pintail Pair” was featured in all the Texas chapter banquets as well as on all the program covers. I was also a Sponsor Print Artist for Texas Ducks Unlimited in 1992-93. I’ve been the Artist of the Year for Waterfowl U.S.A. in 1990, 1991 and 1996, and the Sponsor Print Artist in 1998, 1999, 2003, 2004 and 2005. In 2002, I was selected by Quail Unlimited as the stamp print artist for 2002, and The Dove Sportsman’s Society stamp print artist for 2003.

Any other news or info you would like to share?
I get the opportunity to showcase in national wildlife art shows across the country. Some of these shows include: The Waterfowl Festival in Easton, Maryland, The National Wildlife Art Show in Kansas City, Kansas, The Southeastern Wildlife Expo in Charleston, South Carolina, Nature Works in Tulsa, Oklahoma, and the Florida Wildlife Expo in Orlando, Florida.

For me, there is nothing more important than being in the great outdoors. It’s the inspiration that generates my desire to paint. When I’m not hunting or fishing, you can find me working in my studio.

Dragging for Bait

Which One to Choose

Gulf Coast Mariner Magazine